Resale or Rental: Where Should Brands Place Their Bets? | This Week in Fashion, BoF Professional
Earlier this week, two of luxury fashion’s biggest players put their weight behind new “sharing economy” consumption models popularised by clout-craving but cost-conscious Gen-Z and Millennial consumers, who are set to account for more than 60 percent of total luxury spending by 2026, according to Boston Consulting Group, and for whom access trumps ownership.
On Monday, French conglomerate Kering acquired a 5 percent stake in Vestiaire Collective, leading a €178 million ($215 million) funding round that valued the luxury resale platform at over $1 billion. But less significant than the size of the investment was the strategic stance it signalled: the owner of Gucci and Saint Laurent clearly sees opportunity in the second-hand luxury market, a space competitors like LVMH and Chanel have kept at arm’s length.
The next day, American mega-label Ralph Lauren became the first major luxury brand to offer clothing rentals, launching “The Lauren Look,” a $125 per month subscription service powered by CaaStle that allows consumers to rent items from its lower-priced Lauren Ralph Lauren line.
So, which model makes the most sense for luxury brands? Resale or rental?
The case for resale is compelling. There is significant consumer interest in second-hand luxury goods and research shows that rather than cannibalising full-price sales, second-hand products sold at a discount widen the market for luxury goods and provide more affordable entry points to high-end brands, thereby serving as a powerful gateway for first-time customers.
There is also evidence that the secondary market supports sales of new goods as consumers come to see the ultimate cost of a product as its sticker price minus its eventual resale value, boosting perceived affordability, according to Bernstein analyst Luca Solca.
Luxury houses have been wary of the secondary market for fear of brand dilution. Though they trade on specialness and scarcity, most luxury brands mass produce goods in large volumes, relying heavily on high prices and branding to create a perception of exclusivity. What happens when resale sites reveal them to be more ubiquitous and less valuable than consumers thought?
But the rewards may outweigh the risks. Resale presents a significant revenue opportunity that many luxury labels cannot afford to ignore, especially as Covid-19 depresses full-price sales and the secondary market booms with pandemic-hit sellers eager to turn their closets into cash and newly price-sensitive buyers seeking out deals on re-commerce sites.
What’s more, the secondary market can help convince shoppers that luxury goods are “assets not consumables,” said Vestiaire Collective chief executive Max Bittner this week on the BoF Podcast, favouring brands that fetch high resale prices over those “further down the food chain.”
Kering, whose Gucci and Alexander McQueen labels have already dipped a toe in the second-hand market, appears to be betting that its products will retain value over time, that bringing these products to a wider audience is something its carefully cultivated brands can withstand and that, ultimately, active management is likely to bring greater trust and order to the secondary market, while growing the size of the group’s revenue pie, much as luxury automobile makers like Porsche and BMW have done with certified pre-owned programs.
The case for rental is more mixed.
From music to transport, more and more consumers are choosing access over ownership, turning to monthly subscription services like Spotify or Zipcar. In fashion, where Rent The Runway pioneered the model, a combination of rising luxury prices and growing thirst for newness at the speed of social media have driven consumer interest in rental services.
For brands, rental offers some of the same benefits as resale, opening luxury houses to a much larger audience and serving as an acquisition channel for first-time customers. Like many rental services, “The Lauren Look” lets users purchase rented items outright at reduced prices. What’s more, rental can help brands learn from customers who use the service, offering insights into consumer behaviour and product design that they can feed back to their teams.
But rental remains a tiny fraction of the overall fashion market. And while the pandemic proved a major catalyst for the buying and selling of second-hand fashion, it crushed demand for rentals, as the social events that power the rental market were postponed, cancelled or held virtually and the perceived health risk of wearing rented items close to the body shot up.
“The closet of the future will include a mix of new seasonal fashion, unique customised pieces and wardrobe staples, alongside pre-owned and rented clothing,” said Ralph Lauren’s president and chief executive Patrice Louvet. But the space allocated to rental may remain small.
THE NEWS IN BRIEF
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PEOPLE
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MEDIA AND TECHNOLOGY
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